RECH2 - Papers

Reintegration, integration, inpainting, retouching? Questions around terminology
Ana CALVO (Universidad Complutense de Madrid, CITAR); Ana BAILAO (CITAR, Escola das Artes, Universidade Católica Portuguesa)
The influences of Viollet-Le-Duc, Aloïs Riegl e Cesare Brandi in the field of Restauration Theory in Contemporary Art
Camila MORTARI (Faculdade de Belas-Artes da Universidade de Lisboa, Centro de Física Atómica da Universidade de Lisboa); Margarida FERNANDES (Faculdade de Belas-Artes da Universidade de Lisboa); Rafael ROBLE (Faculdade de Belas-Artes da Universidade de Lisboa)
Overpaints with cultural significance. How to define authenticity?The case of Afonso de Albuquerque’s portrait
Ana Teresa TEVES REIS (Escola das Artes-Universidade Católica Portuguesa); Miguel MATEUS (Freelance Conservator-restorer); David TEVES REIS (Conservator-restorer)
Go with the Glow. An investigation into a 1960s artwork with phosphorescent paint and its treatment possibilities
Ellen JANSEN (University of Amsterdam)
Stick it on! Temporary transfer papers as retouching media for ceramics conservation
Tiago OLIVEIRA (Sarah Peek Ltd.)
Material and Methods for self production of retouching colors
Roberto BESTETTI (CESMAR7-Centro per lo Studio dei Materiali per il Restauro); Ilaria SACCANI (CESMAR7-Centro per lo Studio dei Materiali per il Restauro)
The Conservation Treatment of Rijksmuseum Limoges Enamels. The Same Approach, Three Different Treatments
Ellen VAN BORK (University of Amsterdam); Tamar DAVIDOWITZ (University of Amsterdam); Sara CREANGE (Rijksmuseum); Joosje VAN BENNEKOM (Rijksmuseum)
Recreating Patina: The Retouching of Rodin’s The Thinker
Tamar DAVIDOWITZ (University of Amsterdam); Tonny BEENTJES (University of Amsterdam), Rozemarijn VAN DER MOLEN (University of Amsterdam)
Inpainting a Urania 19th Century Toy Theatre: Problems and solutions
Cátia SILVA (Instituto Politécnico de Tomar); Leonor LOUREIRO (Instituto Politécnico de Tomar); Fernando ANTUNES (Instituto Politécnico de Tomar)
Inpainting in Bookbinding Conservation. Materials and Techniques
Diana AVELAR PIRES (The National Archives, United Kingdom)
Altarpiece painting: a view from the inside
Mercês LORENA (Direcção Geral do Património Cultural - Laboratório José de Figueiredo)
Chromatic (re)integration in Charola do Convento de Cristo, Tomar
José Artur PESTANA (Mural da História)
Textured Replacement Strip for a Missing Portion of a Portrait: Problem Solving and Practical Solutions
Raquel MARQUES (Department of Conservation and Restauration, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa); Leslie CARLYLE (Department of Conservation and Restauration, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa); Isabel POMBO CARDOSO (Department of Conservation and Restauration, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa)
In search of uniformity in the museological context. A proposal for the chromatic reintegration of a set of Phoenician archaeological ceramics
Alice Nogueira ALVES (Faculdade De Belas-Artes da Universidade de Lisboa); Marta FRADE (Faculdade De Belas-Artes da Universidade de Lisboa); Luís Jorge GONÇALVES (Faculdade De Belas-Artes da Universidade de Lisboa); Manuel CALADO (Faculdade De Belas-Artes da Universidade de Lisboa)
Retouching a Monumental Terracotta Sculpture. Meeting the Viewer´s Needs
Cláudia FALCÃO (Instituto Politécnico de Tomar); Ricardo TRIÃES (Instituto Politécnico de Tomar); Sónia TAVARES (Instituto Politécnico de Tomar); João RAMOS (Instituto Politécnico de Tomar)
Examples of Ceramic tile work reintegration systems based on studying their graphic sources
Ignasi GIRONÉS-SARRIÓ (Instituto Universitario de Restauración del Patrimonio de la Universitat Politècnica de València); Vicente GUEROLA-BLAY (Instituto Universitario de Restauración del Patrimonio de la Universitat Politècnica de València)

Authors & Issues