Posters

 

  Posters Session (Allen´s Pallace)



  1. Conservation and restoration of the Pipe Organ from the Church Our Lady of Grace: chromatic and pictorial reintegration practice
    Fernando dos Santos ANTUNES (Instituto Politécnico de Tomar)

  2. Aquazol based retouching colors. Preliminary Tests and Advancement of an Experiment
    Roberto BESTETTI (CESMAR7-Centro per lo Studio dei Materiali per il Restauro), Annalisa COLOMBO (Dipartimento di Scienza dei Materiali, Università degli Studi di Milano-Bicocca Piazza dell'Ateneo Nuovo), Daphne DE LUCA (Università degli Studi di Urbino “Carlo Bo”), Valentina Emanuela SELVA BONINO (CESMAR7-Centro per lo Studio dei Materiali per il Restauro), Vanessa UBALDI (Università degli Studi di Urbino “Carlo Bo”)

  3. When criteria adjusts its definition. Retouching and the concept of lacuna positive (“positive loss”)
    Antoni COLOMINA SUBIELA (Instituto Universitario de Restauración del Patrimonio de la Universitat Politècnica de València), Mar CUSSO SOLANO (Tate Britain, London)

  4. Handmade paints production. Materials and the process of manufacturing watercolor and gouaches. Selection criteria’s for paints
    Leonel COSTA (D’arteCor)

  5. Retouch and Chromatic Reintegration. Distinction of both terms in the conservation of photographs
    Carina FONSECA (Independent researcher, Conservator at Luis Pavão Lda.)

  6. Petrified Paint. Research into the possibilities of reversible retouching media in the restoration of mural paintings on porous substrates made with Keim silicate paint
    Karin M. Van Der LEM (University of Amsterdam)

  7. Retouching of sculptures with worship function
    Carla, REGO (Instituto Politécnico de Tomar); Margarida MANARTE (Instituto Politécnico de Tomar)

  8. The convergence of graphic sources in the pictorial production of Francisco Ribalta in Valencia and Gregorio Vásquez de Arce y Ceballos in Bogotá
    Natalia MEJÍA MURILLO, Vicente GUEROLA BLAY (Universitat Politècnica de València)

  9. Exploring Leonardo’s sfumato technique in context of mimetic retouching
    Sandra Šustić (Croatian Conservation Institute)

  10. Retouching complex losses of altarpieces with mica pigments
    Nelson NEVES (N_RESTAUROS, Conservação e Restauro, Lda.); Frederico MATOS (N_RESTAUROS, Conservação e Restauro, Lda.)

  11. Structuring at the retouching step. State of the art: Study of the stakes, materials and techniques
    Gaëlle PENTIER (Independent researcher)


 
Last Update: 5.11.2014